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Apollo and Daphne; painting by Titian. Pinacoteca Manfrediana (ex-Seminario Patriarcale), Venice
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Apollo and Daphne; painting by Titian. Pinacoteca Manfrediana (ex-Seminario Patriarcale), Venice
Apollo and Daphne; painting by Titian. Pinacoteca Manfrediana (ex-Seminario Patriarcale), Venice Painting Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002. Date of Artwork:1508-1576 ca.. Artist:Tiziano Vecellio (ca. 1488-1576)
Alinari, Fratelli
FDC-F-001181-0000
Media ID 33187177
© Alinari Archives, Florence
Apollo Divinity Femalerenaissance Greco Roman Landscape Hillsides
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EDITORS COMMENTS
This print showcases the exquisite painting "Apollo and Daphne" by Titian, housed in the Pinacoteca Manfrediana (ex-Seminario Patriarcale) in Venice. The artwork, created between 1508-1576, is a masterpiece of Renaissance-Baroque styles and periods. The photograph was taken in 2002 by Alinari, Fratelli and beautifully captures the essence of this iconic piece. Set against a backdrop of rolling hillsides, the painting depicts Apollo, the Greek god of music and poetry, pursuing Daphne, a nymph who has been transformed into a laurel tree to escape his advances. Titian's skillful brushwork brings life to each figure portrayed; Apollo's muscular form exudes strength and determination while Daphne's delicate features reflect her vulnerability. This mythological tale explores themes of desire and transformation within Greco-Roman mythology. As one gazes upon this remarkable image, it transports us back to Europe during the Renaissance period when art flourished as an expression of human creativity. The fusion of classical mythology with contemporary artistic techniques exemplifies Titian's mastery as an artist. The landscape surrounding these mythical figures adds depth to the composition, enhancing our connection with nature as well as providing context for their encounter. It serves as a reminder that even divine beings are subject to earthly desires. This print not only preserves an important piece from art history but also invites viewers into a world where gods mingle with mortals amidst breathtaking landscapes. It is truly a testament to Tiziano Vecellio’s genius and his lasting impact on European art during both the first and second millenniums A. D.
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