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Five orders of columns in Greek and Roman architecture. 1778 (engraving)

Five orders of columns in Greek and Roman architecture. 1778 (engraving)


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Five orders of columns in Greek and Roman architecture. 1778 (engraving)

7233194 Five orders of columns in Greek and Roman architecture. 1778 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Five orders of columns in Greek and Roman architecture: Tuscan, Doric, Ionic, Corinthian and Composite. Copperplate engraving by Robert Benard from Denis Diderot and Jean le Rond d Alemberts Encyclopedie (Encyclopedia), Geneva, 1778.); © Florilegius

Media ID 24831160

© Florilegius / Bridgeman Images

Ancient Greeks Ancientness Encyclopaedia Antic Rome Antique Greece Antiquit Greece Greek


FEATURES IN THESE COLLECTIONS

> Architecture > Country > France

> Architecture > Country > Greece

> Architecture > Styles > Ancient Greek Architecture

> Architecture > Styles > Greek Architecture

> Architecture > Styles > Roman Architecture

> Arts > Artists > B > Robert Benard

> Arts > Artists > D > Denis Diderot

> Arts > Artists > R > Roman Roman

> Arts > Artists > W > Robert White

> Europe > Greece > Posters

> Fine Art Finder > Artists > Alexander Francis (after) Lydon

> Fine Art Finder > Artists > Robert Benard


EDITORS COMMENTS
This engraving, titled "Five orders of columns in Greek and Roman architecture" takes us on a journey through the rich history of classical design. Created by Robert Benard in 1778, this print showcases the five distinct styles of columns that have defined Greek and Roman architectural masterpieces for centuries. From left to right, we are introduced to the Tuscan, Doric, Ionic, Corinthian, and Composite orders. Each order possesses its own unique characteristics and symbolism. The Tuscan exudes strength and simplicity with its unadorned form, while the Doric stands as a symbol of masculine power with its sturdy fluted shafts. Moving towards elegance and gracefulness, the Ionic order features scroll-like volutes atop slender columns. The pinnacle of opulence is reached with the Corinthian order - intricately carved acanthus leaves adorn its capitals, creating an aura of luxury. Finally, we encounter the Composite order which combines elements from both Ionic and Corinthian designs. Through this meticulous copperplate engraving technique employed by Benard himself, every intricate detail is brought to life in black-and-white contrast. This print serves not only as a visual delight but also as an educational tool found within Denis Diderot's Encyclopedie (Encyclopedia), offering readers insight into ancient architectural principles. As we gaze upon this remarkable piece from our private collection today, it reminds us of how these timeless designs continue to inspire modern architects worldwide.

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