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Christening of merovingian king Clovis 1st (466-511) by bishop remi of Reims (between 496 and 506), engraving after Karl Girardet (19thcentury)

Christening of merovingian king Clovis 1st (466-511) by bishop remi of Reims (between 496 and 506), engraving after Karl Girardet (19thcentury)


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Christening of merovingian king Clovis 1st (466-511) by bishop remi of Reims (between 496 and 506), engraving after Karl Girardet (19thcentury)

1758371 Christening of merovingian king Clovis 1st (466-511) by bishop remi of Reims (between 496 and 506), engraving after Karl Girardet
(19thcentury); (add.info.: Christening of merovingian king Clovis 1st (466-511) by bishop remi of Reims (between 496 and 506), engraving after Karl Girardet
(19thcentury)); Photo: Tallandier

Media ID 38204176

© Photo: Tallandier / Bridgeman Images

5e Ve Siecle 5th Vth Century Famille Royale Royal Family Royals Franks Merovagians Merovingian Dynasty Merovingien Merovingian Monarchic Royalism


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > G > Karl Girardet

> Europe > France > Reims

> Europe > France > Royalty

> Fine Art Finder > Artists > Balliol (after) Salmon


EDITORS COMMENTS
This engraving captures a pivotal moment in history - the Christening of Merovingian King Clovis 1st by Bishop Remi of Reims. The scene is filled with solemnity and significance as the king, dressed in regal attire, bows his head before the bishop who baptizes him with holy water. The artist Karl Girardet has masterfully depicted this historic event, showcasing the intricate details of the clothing and expressions of both Clovis and Bishop Remi. The black and white color scheme adds a timeless quality to the image, emphasizing the gravity of this royal ceremony. Clovis 1st was a key figure in early medieval Europe, known for uniting the Franks under his rule and converting to Christianity. His baptism by Bishop Remi symbolized not only his personal faith but also marked a turning point for Christianity in France. As we gaze upon this print, we are transported back to a time when monarchs sought divine favor through religious ceremonies. The engraving serves as a reminder of the power dynamics at play during this era, where kings relied on bishops for spiritual guidance and legitimacy. Overall, this print is not just a visual representation of an ancient ritual but also a window into the complex world of medieval politics and religion. It invites us to reflect on how history continues to shape our understanding of power and authority today.

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