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The punishment of love (oil on canvas, 1706-1707)
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The punishment of love (oil on canvas, 1706-1707)
LRI4610769 The punishment of love (oil on canvas, 1706-1707) by Ricci, Sebastiano (1658-1734); Palazzo Marucelli-Fenzi, Florence, Italy; (add.info.: The punishment of love - The punishment of love. Painting by Sebastiano Ricci (1659-1734), 1706-1707, oil on canvas, 285x285 cm. Firenze, Palazzo Marucelli-Fenzi, terza stanza, soffitto); Luisa Ricciarini; Italian, out of copyright
Media ID 22539570
© Luisa Ricciarini / Bridgeman Images
Arrow Arrows Cupid Eros Fender Heaven Punishment
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The Punishment of Love
EDITORS COMMENTS
is a captivating oil painting by Sebastiano Ricci that depicts the complexities and consequences of human emotions. Created between 1706-1707, this masterpiece measures an impressive 285x285 cm and can be found in the Palazzo Marucelli-Fenzi in Florence, Italy. In this striking artwork, Ricci explores the theme of love through mythology and symbolism. The central figure is a young woman, her delicate form exposed as she endures the punishment inflicted upon her. An angelic presence hovers above her, armed with arrows representing Cupid's influence on matters of the heart. Ricciarini skillfully captures both agony and beauty within this composition. The artist's use of light and shadow adds depth to each brushstroke, enhancing the emotional impact conveyed by his subject's expression. It is as if we are witnessing a moment frozen in time – a poignant reminder that love can bring both pleasure and pain. This painting transports viewers back to 18th century Italy, where mythological characters were often used to explore universal themes such as love and desire. "The Punishment of Love" serves as a testament to Ricci's mastery of his craft, showcasing his ability to evoke strong emotions through art. As we gaze upon this remarkable piece, we are reminded that love has always been an intricate part of our human experience - capable of bringing us joy or causing us suffering. Through "The Punishment of Love". Ricci invites us to reflect
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