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Portrait of Laura Dianti
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Portrait of Laura Dianti
3707507 Portrait of Laura Dianti by Italian School, (17th century); Castello Estense, Ferrara, Italy; (add.info.: Ferrara, Castello Estense (the Estense Castle), also known as Castle of St. Michael: Portrait of Laura Dianti, also known as Eustochia. She was Alfonso I d Estes lover and after the death of his wife Lucrezia Borgia she probably became his third wife. Painting of the XVII century.
Ferrara, Castello Estense, detto anche Castello di San Michele: Ritratto di Laura Dianti, nota anche con lo pseudonimo di Eustochia, l amante di Alfonso I d Este e dopo la morte della moglie Lucrezia Borgia probabilmente divenne anche la sua terza moglie. Dipinto del XVII secolo.); Ghigo Roli; Italian, out of copyright
Media ID 25191336
© Ghigo Roli / Bridgeman Images
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EDITORS COMMENTS
This portrait print takes us back to the 17th century, where we are introduced to the enigmatic Laura Dianti. Known by her pseudonym Eustochia, she was not only Alfonso I d'Este's lover but quite possibly his third wife as well. The painting, housed in the magnificent Castello Estense in Ferrara, Italy, showcases Laura's beauty and allure. The artist skillfully captures Laura's essence with delicate brushstrokes and a soft color palette. Her eyes gaze directly at the viewer, revealing a sense of confidence and mystery. Adorned in luxurious garments that reflect her status as an influential figure during this era, Laura exudes elegance and grace. As we delve into history through this artwork, it becomes evident that Laura played a significant role in Alfonso I d'Este's life. After the passing of his wife Lucrezia Borgia – yes, that Lucrezia Borgia – it is believed that Laura became his third wife. This portrait immortalizes their connection and serves as a testament to their enduring love. Gazing upon this print transports us back centuries ago when romance bloomed amidst political intrigue within Italian courts. It reminds us of the power art holds in preserving stories from our past while allowing them to transcend time itself.
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