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Judas went to the chief priests and agreed to hand over Jesus in exchange for thirty
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Judas went to the chief priests and agreed to hand over Jesus in exchange for thirty
LRI4613126 Judas went to the chief priests and agreed to hand over Jesus in exchange for thirty silver coins. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; (add.info.: History of the life of Christ: Judas pays thirty deniers of silver for his betrayal - Painting from the Cabinet of the Sacred Vases or the Cabinet of the Silver Ex-voto of the Church Santissima Annunziata (Armadio degli Argenti: life of christ, Judas went to the chief priests and agreed to hand over Jesus in exchange for thirty silver coins) Tempera on wood by Guido di Pietro (or Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455) and his students, 1450-1453 - Museum of the Convent of San Marco, Florence (Museo di San Marco, Firenze) -); Luisa Ricciarini; Italian, out of copyright
Media ID 22286700
© Luisa Ricciarini / Bridgeman Images
Apotre Peephole Treason Aureole Quattrocento
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EDITORS COMMENTS
This print captures a significant moment in biblical history, depicting the infamous betrayal of Jesus by Judas Iscariot. In this stunning artwork titled "Judas went to the chief priests and agreed to hand over Jesus in exchange for thirty silver coins" painted by Fra Angelico and his students between 1451-1453, we witness the dramatic scene unfold. The painting showcases Judas approaching the chief priests, striking a deal that would ultimately lead to Jesus' arrest and crucifixion. The artist's use of tempera on wood brings depth and richness to every detail, emphasizing the gravity of this treacherous act. Fra Angelico masterfully portrays Judas as he exchanges thirty silver coins, symbolizing his willingness to betray his friend and teacher. The composition is filled with emotion, capturing both the tension in Judas' face and the sorrowful anticipation surrounding Jesus. Displayed at Museo di San Marco in Florence, Italy, this masterpiece from the Quattrocento period holds immense historical significance. It serves as a reminder of humanity's capacity for betrayal while also highlighting themes of redemption and sacrifice central to Christian faith. Luisa Ricciarini expertly captures this iconic artwork through her lens, allowing us to appreciate its intricate details even from afar. This print invites viewers into a world where art meets spirituality—a visual representation that continues to resonate with audiences centuries later.
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