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The Descent from the Cross, c. 1500. Artist: De Coter, Colijn (c. 1440 / 5-c. 1522 / 32)
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The Descent from the Cross, c. 1500. Artist: De Coter, Colijn (c. 1440 / 5-c. 1522 / 32)
The Descent from the Cross, c. 1500. Found in the collection of the Museo de Bellas Artes de Bilbao
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Media ID 14893618
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Calvary Christ Carrying The Cross Cross Crucifixion Dead Christ Deposition Deposition Of Christ Deposition Of The Cross Descent From The Cross Early Netherlandish Art Golgotha Golgotha Hill Jerusalem Joseph Of Arimathea And Nicodemus Magdalen Magdalene Mary Magdalen Mary Magdalene Mourning Passion Passion Of Christ The Body Of Christ The Descent From The Cross The Road To Calvary Via Dolorosa
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EDITORS COMMENTS
This print showcases "The Descent from the Cross" painted around 1500 by Colijn De Coter, a renowned artist of the early Netherlandish art movement. The masterpiece is currently housed in the esteemed Museo de Bellas Artes de Bilbao, where it continues to mesmerize visitors with its profound depiction of Christian devotion. Set against a backdrop reminiscent of Jerusalem, this Renaissance artwork portrays the poignant moment when Jesus Christ's lifeless body is tenderly lowered from the cross. Mary Magdalene and John stand beside him, their faces etched with grief and mourning. The painting exudes an atmosphere of solemnity as it captures the raw emotions experienced during this pivotal event in biblical history. Every detail has been meticulously rendered on wood using oil paints, showcasing De Coter's exceptional skill and mastery. From Golgotha Hill to Calvary Road, each element contributes to the authenticity and realism that defines this piece. "The Descent from the Cross" serves as a powerful reminder of Christ's sacrifice and his unwavering love for humanity. It invites viewers to reflect upon their own faith while immersing themselves in one of Christianity's most significant narratives. As we gaze at this fine art image, we are transported back in time to witness Joseph of Arimathea and Nicodemus delicately cradling Jesus' body—a scene that encapsulates both sorrow and hope within its brushstrokes.
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