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Frontispiece to the Terrae Filius, 1808, (1827). Creator: Thomas Cook
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Frontispiece to the Terrae Filius, 1808, (1827). Creator: Thomas Cook
Frontispiece to the Terrae Filius, 1808, (1827). The terrae filius, (son of the soil), was a satirical orator who spoke at public ceremonies at the University of Oxford. Here, poet and political writer Nicholas Amhurst, prevented from ascending the lectern, is stripped of his wig and robes before an ecclesiastical court. A cleric tears in two a copy of Amhursts " Terrae filius". The scene is probably the Sheldonian Theatre in Oxford. Engraving after Hogarths of 1726. Frontispiece to " Terrae filius; Or, The Secret History of the University of Oxford" by Nicholas Amhurst, [1726]. [Longman, Hurst, Rees & Orme, London, 1808]. From " The Works of Wiliam Hogarth", Volume II, by The Rev. John Trusler. [J. Goodwin, London, 1827]
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Media ID 18777208
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Arguing Argument Audience Controversial Controversy Cook Court Court Of Law Courtroom Disagreeing Disagreement Ecclesiastical Goodwin Hogarth Hurst J Goodwin John Trusler Judge Law Court Lectern Lecture Lecture Theatre Longman Nicholas Orme And Brown Oxford Oxford University Oxfordshire Rees Rees And Co Rees And Orme Rev John Trusler Revd John Trusler Reverend John Trusler The Works Of William Hogarth Thomas Cook Trial Trusler University W Hogarth William Hogarth Amhurst Sheldonian Theatre
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EDITORS COMMENTS
The print titled "Frontispiece to the Terrae Filius, 1808, (1827)" captures a dramatic scene from the University of Oxford in the 18th century. In this satirical depiction by Thomas Cook, we witness poet and political writer Nicholas Amhurst being prevented from speaking at a public ceremony. As an ecclesiastical court watches on, Amhurst is stripped of his wig and robes as punishment for his controversial oratory. The image transports us to the Sheldonian Theatre in Oxford, where tensions run high between Amhurst and the authorities. A cleric tears apart a copy of Amhurst's "Terrae filius" symbolizing their disagreement with his ideas. The engraving after Hogarth's work adds depth to this historical moment. Amidst the chaos, we see an audience engrossed in the unfolding drama. The photograph not only highlights Amhurst's occupation as a poet but also sheds light on the power dynamics within academia during that time period. This image is part of "The Works of William Hogarth" collection compiled by Reverend John Trusler in 1827. It offers us a glimpse into British history, showcasing both intellectual discourse and social controversy within one frame.
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