Arthur James Balfour has hands cut off by Joseph Chamberlain
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Arthur James Balfour has hands cut off by Joseph Chamberlain
The Story of the Pushful One (cont.). Arthur James Balfour, 1st Earl Balfour (1848-1930) - Prime Minister (1902-05) has his hands cut off by Pushful Joe Joseph Chamberlain (1836-1914). Date: 1899
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Media ID 11585075
© Mary Evans / Grenville Collins Postcard Collection
1899 Arthur Balfour Carruthers Chamberlain Clippers Francis Gould Hands Lampoon Minister Politicians Prime Scissors Snapped Struwwelpeter
EDITORS COMMENTS
This intriguing political cartoon, titled "The Story of the Pushful One (cont.): Arthur James Balfour, 1st Earl Balfour (1848-1930) - Prime Minister (1902-05) has his hands cut off by Pushful Joe Joseph Chamberlain (1836-1914)," is a satirical work by the renowned caricaturist Francis Carruthers Gould. Dated 1899, this cartoon depicts a pivotal moment in British political history, with two of the most influential figures of the time, Arthur James Balfour and Joseph Chamberlain, locked in a contentious power struggle. Balfour, portrayed as a helpless figure, is shown with his hands severed at the wrists, symbolizing the loss of his political power. The perpetrator of this act is none other than Joseph Chamberlain, known as "Pushful Joe," who wields a pair of oversized scissors in a triumphant pose. This image reflects the intense rivalry between the two politicians, with Chamberlain's aggressive tactics and Balfour's perceived weakness leading to the former's perceived dominance. The cartoon is reminiscent of the classic children's rhyme "Struwwelpeter," with its exaggerated and grotesque imagery. The use of caricature and satire in this work highlights the political climate of the time, where power struggles and personal attacks were commonplace. This historical cartoon provides a fascinating glimpse into the world of British politics during the late 19th century and the complex dynamics between its key players. Francis Carruthers Gould's masterful use of visual storytelling in this cartoon continues to captivate audiences today, offering valuable insights into the political landscape of the past and the enduring power of satire as a means of commenting on contemporary issues.
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