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Frederic IV, comte de Meurs et de Saarwerden, d. 1448

Frederic IV, comte de Meurs et de Saarwerden, d. 1448


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Frederic IV, comte de Meurs et de Saarwerden, d. 1448

Frederic IV, comte de Meurs et de Saarwerden, seigneur de Baer et de Lathum, d. 1448. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle (Ancient Equestrian Armorials of the Order of the Golden Fleece and Europe in the 15th century), Paris, 1890. From illustrated manuscript 4790 in the Bibliotheque de l Arsenal

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Media ID 23187198

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Ancien Armorial Comte Equestre Frederic Larchey Leurope Loredan Seigneur Siecle Toison Baer Meurs


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Frederic IV, Comte de Meurs et de Saarwerden, Seigneur de Baer et de Lathum (1400-1448): A Regal Portrait from the Ancient Equestrian Armorials of the Order of the Golden Fleece and Europe in the 15th Century This stunning chromolithograph depicts Frederic IV, Comte de Meurs et de Saarwerden, Seigneur de Baer et de Lathum, a prominent figure of the 15th century European nobility. The image is taken from Loredan Larchey's "Ancien Armorial Equestre de la Toison d'Or et de l'Europe au 15e Siecle" (Ancient Equestrian Armorials of the Order of the Golden Fleece and Europe in the 15th Century), published in Paris in 1890. The illustration is derived from an earlier manuscript, numbered 4790, housed in the Bibliotheque de l'Arsenal. Frederic IV is shown in full regalia, proudly displaying the insignia of his noble titles. He wears a richly decorated surcoat emblazoned with the arms of Meurs and Saarwerden, as well as those of Baer and Lathum. His helmet is adorned with the distinctive golden fleece, a symbol of his membership in the prestigious Order of the Golden Fleece, an elite chivalric order founded by Philip the Good, Duke of Burgundy, in 1430. The portrait exudes an air of regal authority and nobility, reflecting the high status and power of Frederic IV in the European political landscape of the 15th century. The intricate details of his armor, the meticulous rendering of his facial features, and the vibrant colors of the chromolithograph all contribute to a captivating and evocative representation of this nobleman's life and times.

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