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Moss, Mistletoe and Yew (Titus Andronicus)
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Moss, Mistletoe and Yew (Titus Andronicus)
Moss, Mistletoe and Yew (Titus Andronicus). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845
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Media ID 23178418
© Florilegius/Mary Evans
Andronicus Bouquet Calligraphy Giraud Jane Mistletoe Moss Poem Poetry Shakespeare Titus Elizabeth
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Moss, Mistletoe, and Yew: A Victorian Botanical Homage to Titus Andronicus This exquisitely hand-coloured lithograph, titled "Moss, Mistletoe, and Yew," is a captivating botanical illustration from The Flowers of Shakespeare, published by Day and Haghe in London in 1845. The illustration, drawn and lithographed by the talented Jane Elizabeth Giraud, showcases three natural elements that hold significant symbolism in William Shakespeare's tragic play, Titus Andronicus. The central focus of the illustration is a delicate bouquet of moss, mistletoe, and yew. Moss, with its lush, green texture, represents rebirth and renewal, symbolizing the hope that emerges amidst the chaos and tragedy of the play. Mistletoe, with its white berries, is traditionally associated with love, fertility, and peace, offering a glimmer of romance and happiness in the midst of the play's dark themes. Yew, a poisonous evergreen, is a symbol of death and resurrection, reflecting the cyclical nature of life and the play's complex narrative. The intricate detail and vibrant colours of this botanical illustration are a testament to the artistic skill of Jane Elizabeth Giraud. The calligraphy that adorns the illustration, with its elegant script and ornate flourishes, adds an additional layer of beauty and sophistication. This work of art is a perfect example of the Victorian era's fascination with the natural world and its role in literature and theatre. The illustration's connection to Titus Andronicus is not only symbolic but also historical. The play, believed to have been written around 1588-1593, would have been performed in the same era as the publication of The Flowers of Shakespeare. The inclusion of these specific plants in the illustration highlights the interconnectedness of literature, art, and botany during this time period.
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