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William Caxton, English merchant, diplomat and writer
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William Caxton, English merchant, diplomat and writer
William Caxton (c1422 - 1491), English merchant, diplomat, writer, printer and bookseller, thought to be the first person to introduce the printing press to England, in 1476. Portrait with associated locations -- the Weald of Kent (top), Westminster Abbey (left), the Almonry (right), Hall of the Mercers Company (below). Also incorporating initial letters and other designs from Caxtons works. Date: 15th century
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Media ID 23216272
© Mary Evans Picture Library
Bookseller Caxton Diplomat Initial Locations Medievalism Mercers Merchant Press Printer Printing Weald Westminster 15th Almonry
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EDITORS COMMENTS
In this evocative 15th-century portrait, we encounter William Caxton (c.1422-1491), an influential figure in English history as the first known person to bring the printing press to England in 1476. Caxton's impact on literature, education, and the dissemination of knowledge is immeasurable. The painting's rich background is adorned with intriguing locations significant to Caxton's life and work. At the top, the lush greenery of the Weald of Kent, a region where Caxton likely resided and operated his printing press. To the left, the hallowed grounds of Westminster Abbey, where Caxton was buried after his death. The Almonry, a charitable institution, is depicted on the right, reflecting Caxton's philanthropic endeavors. The Hall of the Mercers Company, a prominent guild in London, is shown below, symbolizing Caxton's connection to the mercantile world. Initial letters and other decorative designs from Caxton's works grace the portrait, adding a scholarly and artistic touch. Caxton's contributions to the English literary scene are evident in the intricate typography and elegant calligraphy that adorn the borders. William Caxton was an English merchant, diplomat, writer, and printer who played a pivotal role in the transition from manuscript to print culture. His introduction of the printing press to England marked a turning point in the history of literature and education, making this portrait a testament to a transformative era in English history.
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