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Frances Teresa Stewart, Duchess Of Richmond And Lennox 1648 To 1702 Mistress Of Charles Ii Also Known As La Belle Stuart Model For Image Of Britannia Drawn By Johnson From Painting By James Huysman Engraved By Rivers From Iconographia Scotica Or Portraits Of Illustrious Persons Of Scotland By John Pinkerton Published London 1797

Frances Teresa Stewart, Duchess Of Richmond And Lennox 1648 To 1702 Mistress Of Charles Ii Also Known As La Belle Stuart Model For Image Of Britannia Drawn By Johnson From Painting By James Huysman Engraved By Rivers From Iconographia Scotica Or Portraits Of Illustrious Persons Of Scotland By John Pinkerton Published London 1797


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Frances Teresa Stewart, Duchess Of Richmond And Lennox 1648 To 1702 Mistress Of Charles Ii Also Known As La Belle Stuart Model For Image Of Britannia Drawn By Johnson From Painting By James Huysman Engraved By Rivers From Iconographia Scotica Or Portraits Of Illustrious Persons Of Scotland By John Pinkerton Published London 1797

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Media ID 18188762

© Ken Welsh / Design Pics

18th Charles Ii Drawing Eighteenth Lennox Mistress Model Noble Plate Rivers Scot Scottish Britannia Duchess Of Richmond Frances Stewart


FEATURES IN THESE COLLECTIONS

> Design Pics > Historical

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Towns > Richmond

> Europe > United Kingdom > Scotland > Paintings

> Europe > United Kingdom > Scotland > Rivers


EDITORS COMMENTS
This print showcases the timeless beauty of Frances Teresa Stewart, Duchess of Richmond and Lennox. Known as La Belle Stuart, she was not only a Scottish noblewoman but also the mistress of King Charles II during the 17th century. The portrait captures her elegance and grace, with every delicate detail brought to life by the skilled hands of James Huysman. Frances Teresa Stewart's significance goes beyond her role as a mistress; she served as a model for the iconic image of Britannia, symbolizing Britain's strength and power. This particular illustration was drawn by Johnson and engraved by Rivers, showcasing their talent in capturing her regal presence. Published in London in 1797 as part of John Pinkerton's "Iconographia Scotica" this portrait is an exquisite representation of Frances Teresa Stewart's allure. It transports us back to an era where nobility reigned supreme and beauty held immense influence. Ken Welsh has masterfully preserved this historical gem through his meticulous attention to detail. As we gaze upon this print, we are reminded that even centuries later, true beauty remains timeless and continues to inspire awe.

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