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The Palace That To Heav n His Pillars Threw, And Kings The Forehead On His Threshold Drew - I Saw The Solitary Ringdove There, And "coo, Coo, Coo, "She Cried;And "coo, Coo, Coo. "Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909

The Palace That To Heav n His Pillars Threw, And Kings The Forehead On His Threshold Drew - I Saw The Solitary Ringdove There, And 'coo, Coo, Coo, 'She Cried;And 'coo, Coo, Coo. 'Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909


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The Palace That To Heav n His Pillars Threw, And Kings The Forehead On His Threshold Drew - I Saw The Solitary Ringdove There, And "coo, Coo, Coo, "She Cried;And "coo, Coo, Coo. "Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909

The Palace That To Heav n His Pillars Threw, And Kings The Forehead On His Threshold Drew - I Saw The Solitary Ringdove There, And " coo, Coo, Coo, " She Cried; And " coo, Coo, Coo." Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909

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Media ID 18177318

© Hilary Jane Morgan / Design Pics

20th Dulac Edmund Khayyam Night Omar Palace Persia Persian Poem Poems Poetry Quatrain Rubaiyat Twentieth


EDITORS COMMENTS
This print captures the essence of Omar Khayyam's poetic masterpiece, "The Rubaiyat" through the exquisite illustration by Edmund Dulac. Published in 1909, this artwork transports us to a mystical Persian palace that seems to defy gravity as it reaches towards the heavens. The pillars of this majestic structure symbolize its grandeur and power, drawing kings to its threshold. In this enchanting scene, amidst the moonlit night, a solitary ringdove perches on one of the palace's pillars. Its gentle cooing resonates with an air of tranquility and serenity. As we gaze upon this image, we can almost hear the soft melody carried by those delicate notes: "coo, Coo, Coo". Dulac's masterful use of color adds depth and richness to his interpretation of Khayyam's words. The vibrant hues bring life to every detail – from the intricate patterns adorning the palace walls to the shimmering starry sky above. As we contemplate this evocative composition, we are reminded of poetry's ability to transport us beyond our reality into realms where imagination reigns supreme. This artwork serves as a timeless reminder that even in solitude and simplicity – represented by both the ringdove and its melodic call – there is beauty and meaning waiting to be discovered. Hilary Jane Morgan has skillfully captured not only Dulac's artistry but also encapsulated our fascination with Persian culture and literature through her

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