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The Park, Brighton, 1835. Creator: Henry Alexander Ogg
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The Park, Brighton, 1835. Creator: Henry Alexander Ogg
The Park, Brighton, 1835. Queens Park previously Brighton Park, was owned by Thomas Attree (1778-1863) who commissioned Charles Barry to design an Italianate villa. Steel engraving by Henry Alexander Ogg after Edward Fox. From " The History, Antiquities, and Topography of the County of Sussex, Volume the First", by Thomas Walker Horsfield, F.S.A. [Baxter, Sussex Press, Lewes; Messrs. Nichols and Son, London, (1835)]
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Media ID 19300177
© The Print Collector/Heritage Images
Barry Barry Charles Barry Sir Charles Baxter Baxter John Baxter Sussex Press Brighton Brighton East Sussex England Charles Barry County Detached East Sussex Edward Grounds Ha Ogg Henry A Ogg Henry Alexander Henry Alexander Ogg Horsfield Horsfield Thomas Walker Italianate John Baxter Nichols And Nichols And Son Ogg Henry Alexander Pavilion Rev Thomas Walker Horsfield Sir Charles Barry Son Nichols And Sussex Sussex Press Terrace Thomas Horsfield Thomas Walker Thomas Walker Horsfield Topography Tw Horsfield Villa Walled Wealth Wealthy Queens Park
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The Park, Brighton, 1835
EDITORS COMMENTS
is a captivating print that takes us back to the 19th century. This picturesque scene showcases the stunning architecture of Queens Park, previously known as Brighton Park. The park was once owned by Thomas Attree, an influential figure who commissioned renowned architect Charles Barry to design an exquisite Italianate villa. Henry Alexander Ogg's steel engraving beautifully captures the grandeur of this historic location. The intricate details in every line and curve bring life to the building's exterior facade and its surrounding grounds. Edward Fox's original artwork serves as inspiration for Ogg's masterful interpretation. This print originates from "The History, Antiquities, and Topography of the County of Sussex" a literary gem written by Thomas Walker Horsfield in collaboration with John Baxter. It offers readers a glimpse into Sussex's rich history while showcasing its architectural treasures like Queens Park. As we gaze upon this image, we are transported to a time when country estates were symbols of wealth and prestige. The detached house stands proudly amidst lush greenery, inviting us to explore its enchanting surroundings. With each stroke of Ogg's engraving tool, he captures not just bricks and mortar but also the essence of British heritage. "The Park, Brighton, 1835" is more than just a picture; it is a portal through which we can appreciate both artistry and history intertwined in perfect harmony.
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