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Matthew Henry - English Bible commentator and writer
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Matthew Henry - English Bible commentator and writer
Matthew Henry (1662-1714) - English Bible commentator, minister of a Presbyterian congregation at Chester and writer. Also known as a nonconformist divine and theologian. Date: circa 1700s
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Media ID 14206012
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Clergyman Commentator Divine Eighteenth Matthew Minister Nonconformist Presbyterian Priest Reverend Seventeenth Theologian
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This evocative portrait captures the scholarly and pious visage of Matthew Henry (1662-1714), a prominent English Bible commentator, minister of a Presbyterian congregation at Chester, and prolific writer. Known as a nonconformist divine and theologian, Henry's works were widely read and respected during the 17th and 18th centuries. Born in Wales, Henry's early life was marked by religious fervor and a deep commitment to the study of Scripture. He was ordained as a minister in the Church of England but later joined the Presbyterian faith, which led to his designation as a nonconformist. Despite this, Henry's theological insights and biblical commentary found a broad audience, both within and beyond the Presbyterian community. Henry's most famous work is his six-volume commentary on the entire Bible, which was first published between 1706 and 1710. This comprehensive and accessible work became a standard reference for many Protestant denominations and continues to be consulted by scholars and students of the Bible today. Henry's other notable works include "A Method for Prayer," "A Practical Exposition of the Ten Commandments," and "The Christian's Pattern." In this portrait, Henry's serious expression and furrowed brow suggest a man deeply engaged in the study of the sacred texts. The simple, understated attire of a minister or clergyman further underscores his role as a revered religious figure. The portrait offers a glimpse into the life of a man who dedicated himself to the pursuit of knowledge and the service of his faith, leaving a lasting impact on the religious and intellectual landscape of his time.
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