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By whose stripes ye were healed, mid 19th century. Creator:s Freeman
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By whose stripes ye were healed, mid 19th century. Creator:s Freeman
By whose stripes ye were healed, mid 19th century. Biblical scene, from 1 Peter 2: 24: Who his own self bare our sins in his own body on the tree, that we, being dead to sins, should live unto righteousness: by whose stripes ye were healed. Engraving after Rubens The Flagellation of Christ, painting of c1617, in the Church of Saint Paulus in Antwerp, Netherlands
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Media ID 19299315
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Bare Feet Beating Belief Birch Bleeding Corporal Punishment Cruel Cruelty Faith Flagellation Freeman Gospel Jewish Judaism Loin Cloth Loincloth Our Saviour Peter Paul Peter Paul Rubens Pieter Pauwel Pieter Pauwel Rubens Punishing Punishment Rope Rubens Rubens Peter Paul Rubens Pieter Pauwel S Freeman Scar Sir Peter Paul Rubens Suffering Tied Up Trial Whipping Barefoot Birching Christ Jesus Freemans Scars
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EDITORS COMMENTS
This photo print, titled "By whose stripes ye were healed, mid 19th century" takes us back in time to the biblical scene depicted in 1 Peter 2:24. The image is an engraving after Rubens' famous painting "The Flagellation of Christ" from c1617, found in the Church of Saint Paulus in Antwerp, Netherlands. In this powerful portrayal of faith and suffering, we witness a man tied up and barefooted, wearing only a loin cloth. His body bears the scars of cruel punishment as soldiers mercilessly beat him with birch branches. This depiction reminds us of Jesus Christ's sacrifice for humanity's sins - "Who his own self bare our sins in his own body on the tree". The artist Freeman skillfully captures the raw emotions conveyed by this religious narrative. The intense expressions on both the victim's face and those inflicting pain reveal their beliefs and convictions. Through this visual representation, viewers are invited to reflect upon themes such as religion, belief, cruelty, and redemption. This remarkable print serves as a testament to Sir Peter Paul Rubens' artistic legacy while also highlighting Freeman's talent for translating complex scenes into engravings that evoke deep emotional responses. It stands as a reminder of the enduring power of art to convey profound spiritual messages across centuries and cultures.
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